I've always been impressed with the way pure black and white images come off the page. Andrew Crompton has created some very impressive back and white tessellations and has previously made some suggestions to me about ways to enhance my images. I like the graphic style and the straight lines and angles that he uses in the hashing of the black against the white. In contrast to the pure black and white the colorful images, beautiful line work and organic shapes that Francine Champagne has done on her website are very expressive and grabs your attention. The dragon tessellation she has created through exploring pentagons is remarkable. She's also given me some pointers on using KaliedoPaint.
The images I am attaching here are three hand drawn, pen and ink black and white images and the first image I created on KaliedoPaint- which is very basic. I am working on learning more about computer generation of tessellations and hope to add some to my blog in the future but I am sure I will continue to design tessellations by hand as well.
The design of a metamorphosis as a tessellation is very challenging. There are limited examples of these types of tessellations. Escher was unquestionably the best and created the art form with lifelike tessellations. I have created some smaller designs with one motif that transforms but is technically not a metamorphosis. While I was working on a new motif a few weeks ago I noticed that the image I was making was similar to a previous bird image. The creation of Development IV began in earnest. I wanted to have at least three forms that changed. This metamorphosis is a combination of three designs; a lizard, a bird, and a frog and seahorse. I began to think about how I could depict the "desert to the sea". So the image began with the horned lizard motif in the desert and transformed into birds and then into frogs and seahorses. I choose to depict a Sargasso Seahorse. The Sargasso Seahorse is one of the strangest looking and best camouflaged creatures in the world. It has long appendages that look exactly like the seaweed in its habitat. Its virtually impossible to distinguish the seahorse from the Sargasso seaweed. Of course my representation is generalized and not as fabulous looking as the real thing.
Development IV was done in ink and watercolor. I'm planning on working on another much larger metamorphosis design that I started a couple of months ago and showed a sneak peek at the demonstration I did at the Museum of Fine Arts.
Try doing a metamorphosis design its very challenging but when you get an image you like very satisfying. Figure 1 below is Development IV. Figure 2 below depicts the original pencil sketch of the tessellation. I made some changes to the design as the drawing progressed to final design.
Michael Wilson has been creating tessellation art for over 40 years and is preparing this blog to share thoughts on the subject.